Ego and Super Ego in Dante’s Inferno

Catherine Craven GHUM200, Tu/Th 1225 October 23rd, 2012 analyse the consanguinity surrounded by Virgil and Dante in Inferno with Sigmund Freuds discussion of the conscience or super-swelled head in Civilization and Its Discontents. How does Freud explain and char achievementerize the relationship amid super-ego and ego in the individual? Cite examples of the interaction amongst Virgil and Dante and par closely with Freuds discussion of the psychical agencies, super-ego and ego To what extent does the high-voltage between Virgil and Dante illustrate the same pattern or features? Freud meets Dante Ego and Super-Ego in InfernoIn his book Civilization and Its Discontents, Sigmund Freud offers an explanation for why, as individuals, we tend to punish ourselves with offense, a good deal times in response to menial things. This explanation has led to the ideas of the ego, and the super-ego. jibe to Freud, one is responsible for our actions and how the world views us, while the o ther acts as a watchdog, or an authority, in times of wrongdoing. An example of these two concepts is the relationship dual-lane between the characters Dante and Virgil throughout Dantes poem, The forebode Comedy Volume 1 Inferno.This relationship consists of an authoritative guide and a pixilated follower, and therefore Dante and Virgil map out the relationship between the ego and the super-ego. In Civilization and Its Discontents, Sigmund Freud asserts that one of the primary(a) and most important functions of a civilized society is to control the individuals natural impulses towards aggressive behavior. These impulses, according to Freud, atomic number 18 caused by the ego, which is the part within an individual that is responsible for their actions, decisions, ideas, rationalizations, and logical thought.Therefore, the ego thinks things through, and ultimately comes to decisions and actions, heedless of whether or not the things decided upon or thought about are deemed as bad by society. Further more than, the ego seeks to annul whatever winsome of pain or suffering, and instead seeks out ways to gain personalised happiness. However, According to Freud, the super-ego exists as a way to level out the ego, and, in a way, keep it in check. Therefore, the super-ego is responsible for an individuals conscience, or, their aptitude to feel guilt.Freud continues his explanation of these concepts by asserting the idea that the super-ego calls our attention to our witness failures and misconducts, and attempts to assist us in learning from them in drift to avoid making similar mistakes in the future. Furthermore, the conscience is the form in which the super-ego controls our actions and thoughts, and make ups guilt within us. Therefore, the ego is the decision-making, acting part of an individual, while the super-ego acts as the egos voice of authority and control (Freud).Moreover, the relationship between the characters of Dante and Virgil in Dante s Inferno stands as an excellent example of the relationship between the ego and the super-ego. In the opening of the poem, the character of Dante finds himself lost in a place he does not know, surrounded by terrifying beasts. In this dark moment, Virgil, a ghost from an earlier time, comes forwards and reveals to Dante that, because sin has block his path to God, he must pilgrimage through hell and purgatory in order to return to life, as he once knew it. This journey, according to Virgil, would lead Dante to overcome his sin and, at last, find Gods love.However, Dante does not believe he can recognize the journey alone, at which closure Virgil assures Dante that he impart guide him throughout the entire voyage. Virgil takes on the component part of Dantes guide very naturally, and outgrowths him on his trip through hell. passim the journey, Virgil makes sure that Dante is witness to the all of the horrible punishments that evil receives in hell, and what will be his fate if he does not return to the path of God. However, Virgil does not only physically guide Dante through the circles of hell, but too reinforces the example lessons that he must learn from all of the things he sees.Furthermore, Virgil acts as a protector over Dante, keeping him safe from evil creatures, such as demons and monsters, although he does allow Dante to make decisions and learn lessons the hard way often. Furthermore, the relationship between Dante and Virgil can easily be compared, and made almost correspond to the relationship between the ego and the super-ego. Without a doubt, the ego in this topographic point is Dante. This can be seen in the way that Dantes actions before his journey led him to stray from his path to God. As the ego, Dantes sinful thoughts even uptually led to sinful actions, which in turn led to Virgils intervention.Also, Dante chooses to complete the journey through hell because he wants more than anything to rid himself of his sins and start ov er with Gods love. This embodies the ego because it seeks out happiness, and attempts to avoid any kind of suffering. Moreover, Virgil represents the super-ego, and fully epitomizes the watchdog label that Freud gave to the term. For instance, the super-ego forces the ego to recognize failures, which causes guilt. In turn, the ego is given a better understanding of what it has done wrong, and is more easily able to correct fault.Virgil plays this role in the way that he confronts Dante about the sinful life he has led, and then takes him through hell, thereof allowing him to see what he may become, and motivate change within him. another(prenominal) example of the two characters representing the ego and super-ego is the way that Dante sympathizes with some of the sinners in hell, and Virgils reaction to it. As Dante interacts with the sinners and shows them compassion, Virgil does not stop him. However, Virgil is extremely impatient with Dante, and even more disapproving towards hi m.In these situations, Virgil plays the part of the super-ego by allowing Dante to make his own decisions and act on them, while simultaneously trying to moralize him by causing incredibly guilt. Eventually, Virgils actions work in his favor, and Dante realizes that he is not percentage the sinners, but merely wasting his pity on them. This is a meliorate example of the super-ego using guilt to force changes it feels are necessary on the ego. In conclusion, Freuds ego and super-ego are clearly embodied by the characters of Dante and Virgil in Dantes Inferno.The character of Dante begins the story as a sinful man who is not only in need of guidance, but that also very much desires to find Gods love and create a happier life for himself. The character Virgil then seeks him out in order to help and guide Dante through a journey of moral lessons and naive realism checks, using the power of conscience and guilt, as opposed to force. Therefore, the relationship between the ego and the super-ego is clearly illustrated in the relationship and journey of the characters Dante and Virgil in The Divine Comedy Volume 1 Inferno.