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Monday, February 18, 2019

Manet Essay example -- Art

Manet over oftentimes of the wile of Manet reflects the developments going on in Paris in the 1860s and 1870s. The reconstruct of Paris was being supervised by Baron Haussman, as much of the old medieval centre of the city was being destroyed so that the newfound city could be rebuilt. In his book The delineation of in advance(p) life TJ Clark argues that ripe art of the twentieth century evolves from the art produced by Manet during this period of large(p) change in Paris. Manets scenes of Parisian cafes, bars and streets reflected the new Paris. Manets work influenced the impressionist painters, who were a strong influences on the painting of the 20th century, so in this sense Manets painting is the first modern art that emerged from the creation of the new Paris which Manet depicted in many of his paintings. piece of music Le Dejeuner Sur LHerbe and Olympia were the nigh famous and most controversial works Manet produced, I do not feel they take on the view of the French writer Baudelaire who came up with the phrase modern life. Instead I will be focusing more on Manets last great masterpiece The Bar at the Folies-Bergere, a much better pomp of Paris life, as well as some of his other lesser known, smaller works. I will be discussing the relation of Manets art, especially this painting of the Folies Bergere night club, to modern life in Paris at this time.During the 1860s low the reign of Napoleon III in France, the city of Paris became maven of the most modern in the world due to the extensive redesigning by Baron Georges Eugene Haussmann. Paris was full of bars, operas, cafes, cabarets and a centre of dance and westbound culture. Many of the slums and poor inner city areas were redesigned with wide open streets and modern buildings. While this mean... ...the Nineteenth Century, Yale University Press, New Haven, regular army8) Hamilton, G. 1969, Manet and his critics, WW Norton & Co. Inc, New York, ground forces9) Hanson, A. 1977, Manet and the fresh Tradition, Yale University Press, London, UK10)Krell, A. 1996, Manet and the Painters of Contemporary Life, Thames and Hudson Ltd., London, UK11)Lucie-Smith, E. 1971, A Concise History of French Painting, Thames & Hudson Ltd., London, UK12)Pool, P. 1985, The Complete Paintings of Manet, Penguin Books, Orienti, S. Harmondsworth, Middlesex, USA.13)Reff, T. 1982, Manet and new Paris, National Gallery of Art, Washington, USA14)Schneider, P. 1972, The World of Manet 1832-1883, Time Life International, USA15)Walter, E. 1983, Manet 1832-1883, Metropolitan Museum of Art, New York, USA16)Wilenski, R. 1973, French Painting, Dover Publications Inc., New York, USA

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